Shoot ‘Em Up

Susan Granger’s review of “Shoot ‘Em Up” (New Line Cinema)

There’s something to be said for truth in advertising. Never have so many bullets been fired by so many men – for the sheer fun of it.
As enigmatic Mr. Smith (Clive Owen) sits on a bench, waiting for a bus and munching a big, crispy carrot, a pregnant woman, obviously in labor, runs past him, chased by a gunman with a car full of black-clad cohorts. Dashing to her defense, he polishes off her pursuers while delivering the baby, blasting the umbilical cord with a gunshot. Carrying the woman’s corpse – and the newborn – he escapes. While intending to find the infant a proper home, he’s perpetually followed by a really, really nasty bad guy (Paul Giamatti) – and an army of thugs. Along the way, glowering Mr. Smith recruits a lactating prostitute (beautiful Monica Belluci) whose kinky specialty is wet-nursing clients. As for a semi-coherent plot, it seems the powerful gun lobby is involved in a shadowy scheme to harvest bone marrow for an influential U.S. Senator running for President.
Satirically written and directed by Michael Davis (“Eight Days a Week”), it’s outrageously violent and intentionally trashy – at warp speed. With tongue firmly planted in cheek and a deadpan demeanor, Clive Owens (“Children of Men”) embodies “the angriest man in the world.” As the heinous villain/henpecked husband, Paul Giamatti (“The Nanny Diaries”) is reprehensible. “Do you know why a gun is better than a wife?” he asks one of his thugs. “You can put a silencer on a gun.”
For some, this perversity may be entertaining; for others (like me), it’s just inane. On the Granger Movie Gauge of 1 to 10, “Shoot ‘Em Up” is a silly, smarmy, shell-shocked 6, offering frenetic, absurdist, over-the-top violence – like a live-action cartoon.

06

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